two years

Today, besides being New Years Eve, is also my blog's two year anniversary. Two years ago, on New Years Eve I opened up my blog, and well, here I am now. This past year has been incredible, and to the huge amounts of new followers I have to say THANK YOU, and to the old ones, THANK YOU FOR STILL following me.
Here's to a fantastic blogging year in 2010, and to many more posts in 2011!
CHEERS!

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I wore this outfit last night to have drinks at a restaurant overlooking all of downtown Toronto. It was incredible to say the least. One of those places you only go to a couple times in your lifetime.

HAPPY NEW YEAR!











Diane von Furstenberg jacket. Silence and Noise dress from Urban Outfitters. Gifted jewelry. Unknown tights. Nine West heels. Alpine Snow nail polish by OPI. Michael Kors watch. Chanel lipstick.lipgloss.-gifted.

Pull My Strings, I'm Your Puppet (Warp)

Ever wonder what a straight, staid businessman who rides a straight, staid motorcycle does on the weekends?  Well, based on today’s image, he trades in the staid motorcycle and goes cruising on his “chopper”.  Instead of sitting upright, he leans into the wind, puts on flashier colors and lets his wild side show through.  Actually, if you take a close look at the smaller image you’ll find it’s the same image.  Today’s image started life as that thumbnail on the right.  I’ve never taken a shot at using Adobe Photoshop CS5’s Puppet Warp applet, until today.  I saw the clips about what it could do in the teaser videos before CS5 was released and thought “that’s kinda neat”, but never came across a reason to do something serious with it.  I guess the holiday break was a good time to tax my brain and look at a couple features in Photoshop that aren’t exactly mainstream.  Between Wednesday’s messing with the Liquefy Filter applet and today’s playing with its Puppet Warp I’ve been able to add a couple more arrows to the quiver.  Today’s image is about Puppet Warp, but there’s several other techniques that were used to get the end result.  To find the list (and short explanations) of what was used, hit the “read more”.

The biggie was, obviously the Puppet Warp (Edit/Puppet Warp) applet. The motorcycle was stretched out into a hog or chopper or a custom bike. Puppet Warp overlays an image with a mesh of triangles and allows each intersection to be moved independently. That doesn’t mean moving one node won’t affect the ones around it. As an example, the front forks got to be a little squirrely, bending in directions that would really weaken the bike and undoubtedly caused a structural failure. To “fix” that little problem a copy of the front wheel and a portion of the fork were selected (square Marquee Tool (M)), copied (Ctrl C) and Pasted (Ctrl V) onto its own Layer. Once there, the Free Transform (Ctrl T) applet was used to Scale, Rotate and align the wheel and fork to match up with the reasonably straight portion that resulted from the Puppet Warp operation. The rider’s legs were brought forward to more of a chopper rider’s position rather than the straight up and down angle in the original. The rider’s upper body was also bent forward to give a more aggressive pose.


An Alpha Chanel Mask was created to pull the bike and rider out of the city streets and permit replacing the background. I’ve been asked several times “why Alpha Channels rather than just a selection or erasing the unwanted areas”. That answer is easy. Once a selection is used and the worker moves on to something else, that Selection is gone. Once something is erased (yuck) its unrecoverable. A Selection (however you get it), once saved as an Alpha Channel, can to refined, adjusted back and forth, using over and over again on other Layers, uncoupled from what’s being Masked and either the image or the Mask moved independent of each other to do things like reposition clouds within a scene and anything else you can think of to do with a Mask. An Alpha Channel Mask is just so much more flexible than a straight Selection or erasing anything. Biggest tip of 2010, never use the Eraser Tool.


The background came from a trip to Lime Rock Park racetrack. It had a little red Porsche 914 zipping along, but also had about the right amount of (in camera) motion blur to make it right. As brought in, the bike looked like Bikezilla. The background had to be enlarged using the Free Transform (Ctrl T) applet. The Porsche sort of showed through around the bike, so some Clone Stamp (S) work was need to get rid of the car.
 A little shadow was put under the bike and rider and they were both “colored” to make them a little more interesting. A soft Brush (B) and colors chosen from the Swatch Panel were “painted” on the various bits and pieces needing a splash of color. Each color was applied on its own Layer and the Bland Mode changed to Color to place the colors over the detail below.


With the faux colors applied, Hue/Saturation Adjustment Layers were applied for each color (in this case: Red, Yellow, Green, Cyan, Blue, and Magenta). Extraneous color splashes were Masked out on the Adjustment Layer’s built in Mask.


Save it, close it, go to it in Adobe Photoshop Lightroom 3, put a vignette on it and reduce any noise and we were done. Hope you get a kick out of it.

polka dot binge

I wore this outfit a couple days ago when I attempted Boxing Day shopping. It was horrible. I left the mall feeling exhausted and angry. I find Boxing Day to be a horrible day to shop because that seems to be the one day when EVERYONE emerges to shop, especially the people who hardly ever go to malls. It was just terrible, like a zoo. It's also the one day when people seem to forget how to handle themselves in a mall, and there's lots of pushing and shoving. In addition, the sales aren't that great anyways. I find that going to stores throughout the year is much better because you can find better prices. Anyways, I suppose venturing into a mall on Boxing Day has become more of a tradition rather than an actual chance to shop.

I hardly ever wear SO much colour in one outfit, but the day was so sunny, that I couldn't resist combining all my favourite colours. I especially love these tights. The amount of 80's chick flicks that I have watched in the past week have me on a polka dot binge.

Only two more days left in 2010! Hope you enjoy them!















Wearing vintage blazer and belt, unknown tights, Steve Madden heels, Marciano skirt, gifted jewelry, Michael Kors watch.

Following A Magazine Tutorial

I was at a newsstand the other day and saw a magazine called “Advanced Photoshop – The magazine for Photoshop Professionals”.  Notice that it does make any claim to be about Photoshop for photographers.  I thought it looked interesting and it dealt with a part of Photoshop I don’t typically play in.  The artsy part.  The part where a photographic image is just a starting point.  The cover art was of a model who had had a Manga-style treatment applied.  I thought it might be something to play with to follow the twenty step tutorial.  A couple things make a portrait “Manga style”.  The pointy chin, lots of hair, the large eyes, the flawless skin and a tiny nose and mouth.  The resemblance between the starting point of today’s image and the end result is pretty slight.  I’m not sure the subject would recognize herself.  The number of things that had to be done just to get the image to the starting point of the tutorial was fairly extensive.  You might be able to check out the tutorial for the technique on the magazine’s website http://www.advancedphotoshop.co.uk/index.php or do a Google search and, I’m sure, you can find similar versions of the same technique.  What I’ll do is explain the steps involved in getting to the starting point.  If you’d like to check out the gyrations needed, hit the “read more”.
The first thing was to straighten up the portrait. The subject had a lilting tilt to her head. Using the Ruler Tool (I) I drew a straight line down through what I thought was the center of her face. The first attempt, with automatic straightening wound up cutting off the top of her head. Turning the auto-straighten feature off resulted in the upper right and lower left corners being chopped off. I used the Quick Selection Tool (W) to pick up the two triangular pieces and then used Select/Modify/Expand to increase the size of the selection by twenty pixels. I find this gives the Content Aware Fill (Shift F5) function a better “bite” and allows a more accurate fill. The bottom left filled in nicely, but the upper right was pretty much of a mess. Once that was cleared up I could go on to the next step.

One a the “other features” of a Manga portrait is that it’s symmetrical. To form that symmetry the Rectangular Marquee Tool (M) was used to select the left half of the face. Ctrl J put it up on its own Layer. Free Transform (Ctrl T) was used to flip the left side of the face. There’s two ways to do that. One is to Right Click on the Selection, choose Flip Horizontal and drag the image to the right and try to match up the centerline. Another way is to grab the center left handle and drag it to the right. The right side will stay still and the left side will turn much like turning the page of a book. The centerline remains fixed. The only thing to watch for is to make sure not to pull the handle either too much or too little.

The model didn’t have enough hair, so random selections, using the free form Lasso Tool (L), were grabbed, put up on their own Layer (Ctrl J) and moved around using the Free Transform Tool (Ctrl T) to spots that looked reasonably “natural”. Any sharp edges were removed by applying a Layer Mask and using a soft round Brush (B) to feather the hard edges. The hair was filled in on both sides.

The face was cleared of any blemishes by using the Healing Brush (J) with the Content Aware checkbox clicked. Once the face was flawless the magazines tutorial could be started.

What Happens When A Ghost Shows Up In Your Image?

Actually, I’m not kidding.  Take a look at the original of today’s image (click on it to expand).  On the far left you can see a guy walking into the frame.  I was there, along a road in West Virginia, when I saw this old gas station and thought it might make an interesting image.  We stopped the car, backed up to a more advantageous spot, got out and started shooting.  For all the time I was there, no one came by.  This was such a remote oasis that, for the twenty minutes or so that I was shooting, not one car came down the road.  No one walked by, no one went up to the store, no one was anywhere near while we were happily snapping away.  Yet, there’s a man walking into the shot on one image.  Only one.  Nothing was said, no one nodded or waved or smiled, nada, zip and yet he’s there.  I have no idea how to explain it, but it does make a great case for geotagging shots.  This was taken prior to getting the GPS unit for the camera, so I don’t think I’d be able to find this place again in a hundred trips through WV.  If I did know where it was I’d be tempted to take a ride down to WV just to investigate who this fellow is.  It sounds like one of those stories where the traveler picks up a hitchhiker, drops him/her off at the destination, discovers something left behind and goes to return it only to find out the hitchhiker has been dead for X number of years.  Pretty weird, but nothing to do with today’s image.  To find out about today’s image, hit the “read more”.

First, we were without power yesterday due to a tree falling across some electrical wires next door. That’s why this is a day later than the typical Monday, Wednesday, Friday posting on the blog.

Now the image. This was actually made a couple years ago, before HDR got to be the rage. It’s done with more of a posterization technique than anything HDR. It was also done with Adobe Photoshop CS4, so I didn’t have the advantage of Content Aware Fill. You can see that I cropped out “the ghost”, but there’s several other things that had to be removed to make the image what it is. The most obvious is the removal of the orange cone sitting in front of the car. Not quite as apparent is the paper sign on the front of the pump. It’s been replaced with what looks like the normal gallons and dollars windows that would be found on a gas pump of that era. If you look at the original image you’ll see that the other pump was of no help. The wording and little windows to show the numbers was made from scratch.

There is one thing that hasn’t been removed. Let’s play “where’s Waldo” and see if you can spot my Nikon Speedlite in the images. The overhang area was brightened up a little by adding a little pop of light to the area.

From there it was a matter of throwing the colors into a state of shock. The ice cream in the cone went almost neon, the window sills brightened up beyond what might be expected and a couple of bills in the window to the left of the door brought up from grey to white. The whole thing was given a filter to make it look more like it came out of the newspaper and then parts of the filter removed.

It was a fun exercise and a great demonstration of why camera manufacturers should make GPS information a built-in part of a camera’s software and firmware. Just my opinion.

merry christmas

Merry Christmas everyone!
I hope you're all having an amazing day and I hope that Santa was very good to you all. I got some lovely gifts that I'm incredibly thankful for, and I've been spending a wonderful day with my family.
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I wore this last night for Christmas Eve dinner. This vintage dress needed some alterations, but I think they turned out splendidly, and I can't wait to wear this dress again some time soon.

MERRY CHRISTMAS ONCE AGAIN TO ALL!















Wearing a vintage dress, Aldo heels, unknown nude tights, Holt Renfrew jewelry, Chanel lipstick: Rouge Coco in Gabrielle, Loreal nailpolish in British Red Coat.

Taking It One Step Further

I got a kick out of what I did the other day with the Rectangular to Polar Filter (Filter/Distort/Polar Coordinates) so I thought I’d try another one and take it up a notch.  Rather than an orb floating in the blackness of space I thought I might “put it somewhere”.  I didn’t have any “file photo” I could tap into, so I had to find something to shoot.  The list on components that make up today’s image would be a long one.  It started out as a five shot panorama that got spun around into a rather oval polar Image of the original pano.  Some Free Transform (Ctrl T) action pushed it into a round configuration.  In order to get a perfect circle the Elliptical Marquee Tool (M) was used holding the Shift key down to constrain it to a circular configuration.  The Space Bar was added to move the selection around before committing it.  The Selection was then Inversed (Ctrl Shift I) and the outside Filled (Shift F5) with black.  The Free Transform applet was used again to turn the circle so the church wound up at a twelve o’clock position.  In order to spin it, more real estate had to be added around the circle using Canvas Size (Image/Canvas Size) with the Relative check box selected.  The result was Saved (File/Save) and the image Closed (File/Close).  It automatically saved an edited copy in Adobe Photoshop Lightroom 3.3.  The blue in the sky was adjusted in the HSL (Hue/Saturation/Luminance) Panel in the Develop Module.  The adjusted image was brought back into Adobe Photoshop CS5 for further “enhancements”.  An Inner Glow (double click on the Layer indicator in the Layers Panel) was applied to the globe to give the appearance of glass.  All that was for the globe only.  To learn what else was added to complete the image. Hit the “read more”.
A snow globe typically has a base. I shot the base of a lamp in the studio just outside the computer area. After downloading the image the base was selected using the Quick Selection Tool (W). The Lasso Tool (L) was used to cut the torso of the lamp from the base. The ring the globe sits in was made by copying the top ring of the base and using the Free Transform Tool in the Warp mode to “warp” the ring around the bottom of the globe, making the globe appear to sit “in” the base.

At this point I had a “snow globe” floating in black space. Not very realistic. A background was selected almost at random. It was just a woods scene and it wouldn’t be obtrusive. Using a Mask of the snow globe the woods scene replaced the stark black. Now there was a snow globe floating in the forest. Since not very convincing. Someone needed to be holding the snow globe.

I asked my better half to stick her hand out and I took three shots to have a minimal choice. A little masking resulted in the snow globe appearing to rest in her hand.

What’s a snow globe without some snow? The snow was produced by adding another Layer and filling it with white. Then some Noise was introduced (Filter/Noise/Add Noise) to give a grainy effect. A Levels Adjustment Layer was added and the left slider brought almost all the way over to the right. This gave a small number “flakes”. The Blend Mode was changed to Hard Light and the globe’s Mask applied to contain the flakes to the inside of the globe.

That’s the story. From Panorame to snow globe in about thirty “easy” steps.

i heard Santa on the radio

The last couple of days have been absolutely hectic. Incredibly crazy! I finally completed all my Christmas shopping, wrapped all my gifts, got my holiday outfits ready, and besides a last minute clean-up of my room, I'm all set for Christmas.
As much as I love the holidays, I find that present shopping is really hard, and it's always difficult to find the perfect gift, which is why I usually end up settling for random presents and keep my fingers crossed that they will be liked. This year, I believe that I found gifts that everyone will enjoy, but I suppose only Christmas morning will tell.

I hope you're all ready for the holidays!! (And that you were smart and did your shopping BEFORE the holiday rush.)















Unknown jacket, vintage dress and belt, tights from Winners, Capezio Italian leather boots, gifted jewelry, Guess bag.

Ps.

No HDR, Just Playing

It’s true, despite the garish colors and the heavy patterns, no HDR work was done to today’s image.  The colors were pumped up, a Divide Blend Mode was used on a Layer, filters were used to push and pull the image into an oval shape, Smart Objects were put in Layer upon Layer to keep everything editable, but no HDR.  It looks HDRish, but no HDR applet, plugin or application was used.  It started out as just another shot of Bearskin Neck on Cape Ann, Massachusetts.  The idea was to straighten it up a little (it’s a wide angle shot so it showed a little barrel distortion), adjust the colors and be done with it.  Then I got to playing.  I went down a couple rat holes and had to back out a few times, but each wrong turn took me further down a rabbit hole until I felt like Alice.  Since I already was in a “Wonderland” of my own making I decided to explore a little.  I went left, I went right, I stumbled a couple times and finally got to where I thought I was at an end.  It was pretty much an extreme posterization of the image and looked reasonable.  I thought, what’s another step I could add seeing as, by that time, I was fairly deep in the woods anyway.  Decided to play with Polar Coordinates (Filter/Distort/Polar Coordinates) to see if I could come up with something circular.  To find out how I got “the town square circle” , hit the “read more”

The bank was on the far left of the rectangular image (I didn’t want to say “the straight image” because, by that time, it really wasn’t “straight” in a normal image way. Therefore the lower left tip of the building (at twelve o’clock) was at the center of the circle of sand. Using the Polygonal Lasso Tool (L) I selected the quarter from twelve to three on a clock face. A simple copy to a new Layer (Ctrl J) made it its own, editable Layer. Using Free Transform (Ctrl T) and switching between Distort, Scale and Warp (right click on the Free Transform area) I was able to push the spear tip up to match with the other end of the road.

That left the tip with the correctly pushed end of the building overlaid. Using the same Lasso one quarter technique I then selected the lower left quadrant of only the sandy area. Again using the Free Transform applet I moved the pivot point from the center of the selection to the upper right tip of the selection. Taking the cursor outside the selected area the cursor became a rotational tool. The sandy quarter was spun around until it covered the tip of the building. Right clicking inside the selected area brought up the Free Transform option list. Using Skew, Distort and Warp the sandy area was filled in.

Content Aware Fill on the Healing Brush (J) was used to blend the outline of the sandy quadrant with the rest of the hard ground area. To blend it just a little more a selection was made (L) of only the sandy area. A slight rotational blur (Filter/Blur/Rotational Blur) or 2 or 3 pixels was added to create a slight swirl effect.

Still Looking

Does anyone know this guy and his son.  I asked that question in about the forth post ever to be put up on the blog.  I’m still looking.  I found this fellow sitting just inside the performance tent at the Festival of Green Corn held at Foxwoods casino a few years ago.  After creating today’s image the intent was to give him a copy.  We couldn’t get to the pow-wow the following year and by the time the third year came along the festival was put on what has become a permanent hold.  The boy has to be in school now and I’d still enjoy giving the family a print of the image.  The day the image was taken was miserably hot.  How his makeup stayed as fresh looking as it is I have no idea.  I asked for permission to take a single shot as he sat in the entryway of the tent trying to catch a little breeze in the only shade to be had.  I’m guessing that, as he grabbed his son over and then okayed the shot that he thought having the boy included would ruin the imagery.  I’m guessing it was what made the shot for me.  They were sitting with the side of the tent as a backdrop.  Just the plain canvas as the tent, with the sun lighting it very evenly.  Later in the day, just about the time the heat had gotten to us and we were  heading for the exit we passed a vendor selling clothing and jewelry.  The buffalo skull was on display, laid out on a skin draped over a frame.  I almost past right by.  I saw the skull, didn’t even bother squatting to get a more direct angle on it and hit the shutter.  Just a record shot.  To get an idea of the “happy accident” that made today’s image possible, hit the “read more”.
Okay, so we have a shot that the subject thought he was messing up by pulling in the child and one that was a record shot, taken in passing. I started playing with the portrait and it was coming up short due to the flat background. The skull was straight on with the axis of the head straight up and down. Boring! I hadn’t done anything with Blend Modes at that time, but had just read an article about this “wonder tool in Photoshop (probably CS or CS2). Blend Mode weren’t new to PS, but they were to me. I flipped through and snapped my head back is shock as 90% of the image came into view. I had hit on the Lighter Color and Darker Color Bland Modes. This image goes so far back that I was still using the Eraser Tool (E, but don’t bother) rather than Layer Masks. The only two places that really needed to be addressed were the white of the feather and the white makeup on his face. Taking care of those two pieces finished the image.


There’s no High Pass Sharpening (Filter/Other/High Pass) applied and no vignette. If you’re a regular reader you know that means the shot is years old. Let me know what you think. Thanks

tinsel

I thought I'd take a break from outfit photos to show you all some of the Christmas decorations around my house. Enjoy!